材质 :
图片文件尺寸 : 5359 x 4662 px
Paolo Buzzi-Hamburg. Ein futuristisches Diptychon. 1920
保罗·布齐-汉堡。未来主义双联画。1920\'
材质 :
图片文件尺寸 : 5359 x 4662 px
Paolo Buzzi-Hamburg. Ein futuristisches Diptychon. 1920
保罗·布齐-汉堡。未来主义双联画。1920\'
图片文件尺寸 : 2419 x 3000px
德国学派的《圣徒阿查提乌斯、芭芭拉、阿波罗尼亚和塞巴尔德的双联画》-德国 School
圣徒阿查提乌斯、芭芭拉、阿波罗尼亚和塞巴尔德的双联画--德国 School
图片文件尺寸 : 1247 x 1972px
“Winterfeld家族基金会左翼的双联画,正面是玛丽亚·拉坦斯和无名氏的《基督作为圣徒》-Anonymous
来自温特菲尔德家族基金会左翼的双联画,正面是玛丽亚·拉坦斯和基督作为圣徒--Anonymous
材质 : Oil and Acrylic on canvas
图片文件尺寸 : 4859 x 3695 px
Thukral Tagra-Phantom @ XI B-II (Diptychon), 2007.
缩略图标记(T)-《幻影@XI B-II》(双联),2007年。
图片文件尺寸 : 2419 x 3000px
德国学派的《圣徒阿查提乌斯、芭芭拉、阿波罗尼亚和塞巴尔德的双联画》-德国 School
Diptych of Saints Achatius, Barbara, Apollonia, and Sebald--德国 School
图片文件尺寸 : 1251 x 2004px
“来自温特菲尔德家族基金会右翼的双联画,由匿名天使高举的圣玛丽·玛格达琳-angels by Anonymous
Diptych from the Winterfeld family foundation right wing, St Mary Magdalene held aloft--Anonymous
图片文件尺寸 : 3468 x 2232px
约翰·查尔斯·罗宾逊(John Charles Robinson)的《象牙雕刻双联画》(Diptych in Carved Ivory),代表三博士的崇拜和十字架的十字架-John Charles Robinson
象牙雕刻双联画,代表三博士的崇拜和耶稣受难--John Charles Robinson (英国, 1824-1913)
下载约翰·查尔斯·罗宾逊(John Charles Robinson)的《象牙雕刻双联画》(Diptych in Carved Ivory),代表三博士的崇拜和十字架的十字架大图
图片文件尺寸 : 1247 x 1972px
“Winterfeld家族基金会左翼的双联画,正面是玛丽亚·拉坦斯和无名氏的《基督作为圣徒》-Anonymous
Diptych from the Winterfeld family foundation left wing, obverse, Maria lactans and Christ as Vir Do--Anonymous
图片文件尺寸 : 5067 x 4761px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-58
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection); the first, Dai sanju-ikkan, Otome (Vol. 31, Otome), published by Totoya Eikichi; the second, Dai Goju-ikkan, Ukifune (Vol. 51, Ukifune), published by Ebisuya Shoshichi; the third, Sanju no maki, Fujibakama (Vol. 30, Fujibakama), published by Totoya Eikichi; the fourth, Jusan no maki, Aoi (Vol. 13, Aoi), published by Totoya Eikichi; the fifth, Dai ju-yonkan, Aoi (Vol. 14, Aoi), published by Totoya Eikichi; all carved by Yokokawa Takejiro, and signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857年至1858年,五幅欧本州式双联版画
下载UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857年至1858年,五幅欧本州式双联版画大图
图片文件尺寸 : 4436 x 5763px
UTAGAWA KUNISADA I (TOYOKUNI III, 1786-1864):Five oban tate-e print diptychs
Edo period (1615-1868), circa 1857-1859
All five from the series Genji goshu yojo (Lasting Impressions of a Late Genji Collection), the first, Dai ju-hachi no maki, Matsukaze (Vol. 18, Matsukaze), carved by Sugawa Sennosuke, published by Wakasaya Yoichi; the second, Dai nana no maki, Momiji no ga (Vol. 7, Momiji no Ga), carved by Yokokawa Takejiro, published by Hayashiya Shogoro; the third, Dai ju-rokkan, Sekiya (Vol. 16, Sekiya), published by Wakasaya Yoichi; the fourth, Yonju-nikan, Niou no Miya (Vol. 42, Niou no Miya), carved by Yokokawa Takejiro, published by Ebisuya Shoshichi; the fifth, Dai niju-nana no maki, Kagaribi (Volume 27, Kagaribi), published by Wakasaya Yoichi; each signed Toyokuni ga (5)
14 1/2 x 20in (36.9 x 50.8cm) each diptych approximately
UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画
下载UTAGAWA KUNISADA I(丰谷三世,1786-1864年) 江户时期,约1857-1859年,五幅欧本州式双联版画大图